(Sub)bit-fields (Coding with fractions of bits, Part II)

Last week, we used the 6×7×6 palette as an example of very simple fraction-of-a-bit coding¹. However, we can generalize still a bit more to allow single field extraction and modification

The 6×7×6 palette (Coding with fractions of bits, Part I)

Remember ye olde dayes when we had to be mindful of the so-called “web safe palette“? Once upon a time, screens could display 24-bits colors, but only 256 at a time in some “hi-res” modes. But that’s not what I’m going to tell you about: I’d rather tell you about the encoding of the palette, and about a somewhat better palette. And also about using fractions of bits for more efficient encodings.

Discrete Inversion (Generating Random Sequences XII)

While this sounds something like a shameful family secret, discrete inversion is only the finite-valued variation on the method of inversion for the generation of random numbers with a given distribution (as I’ve discussed quite a while ago here). The case we’ll consider here is a random variable with few possible outcomes, each with different odds

Mœud deux

Pairing functions are fun. Last week, we had a look at the Cantor/Hopcroft and Ullman function, and this week, we’ll have a look at the Rosenberg-Strong function—and we’ll modify it a bit.

Mœud

Pairing functions are used to reversibly map a pair of number onto a single number—think of a number-theoretical version of std::pair. Cantor was the first (or so I think) to propose one such function. His goal wasn’t data compression but to show that there are as many rationals as natural numbers.

Cantor’s function associates pairs (i,j) with a single number:

…but that’s not the only way of doing this. A much more fun—and spatially coherent—is the boustrophedonic pairing function.

The Well-Tempered Palette (Part 3)

This week, we’ll discuss a cool, but failed, experiment.

In the last few weeks (of posts, because in real time, I worked on that problem over a week-end) we’ve looked at how to generate well distributed, maximally different colors. The methods were to use well-distributed sequences or lattices to ensure that the colors are equidistant. What if we used physical analogies to push the colors around so that they are maximally apart?

The Well-Tempered Palette (Part 2)

Last week, we’ve had a look at how to distribute maximally different colors on the RGB cube. But I also remarked that we could use some other color space, say HSV. How do we distribute colors uniformly in HSV space?